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The Mudville Gazette is written and produced by Greyhawk, the call sign of a real military guy currently serving somewhere in Iraq. Unless otherwise credited, the opinions expressed are those of the author, and nothing here is to be taken as representing the official position of or endorsement by the United States Department of Defense or any of its subordinate components. Furthermore, I will occasionally use satire or parody herein. The bottom line: it's my house.

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« At The Movies | Main | Ooops »

May 21, 2005

The "Bloodless" War?

Greyhawk

Today's LA Times bemoans the lack of photos of corpses of American soldiers in Iraq:

Many photographers and editors believe they are delivering Americans an incomplete portrait of the violence that has killed 1,797 U.S. service members and their Western allies and wounded 12,516 Americans.

Journalists attribute the relatively bloodless portrayal of the war to a variety of causes ? some in their control, others in the hands of the U.S. military, and the most important related to the far-flung nature of the conflict and the way American news outlets perceive their role.

"We in the news business are not doing a very good job of showing our readers what has really happened over there," said Pim Van Hemmen, assistant managing editor for photography at the Star-Ledger of Newark, N.J.

"Writing in a headline that 1,500 Americans have died doesn't give you nearly the impact of showing one serviceman who is dead," Van Hemmen said. "It's the power of visuals."

Translation: American's are stupid, don't read, and need pictures. The story includes a score card revealing which papers support this view:
The New York Times and Los Angeles Times printed the most shots of wounded in the war zone during that time ? with 10 each, an average of one every 2 1/2 weeks. The other six publications ran a total of 24 pictures of American wounded.
A narrated flashplayer slideshow accompanying the online version of the story includes several examples of gruesome wartime corpse photos through history, and also the bloodiest images thus far from Iraq. Don't think for a minute such images are easy to obtain - the Times explains the tremendous efforts their photographers must employ to get usable-quality corpse photos:
Tyler Hicks of the New York Times and Carolyn Cole of the Los Angeles Times accompanied the Army in August during the dangerous assault on the insurgent stronghold of Najaf. They weathered several life-threatening episodes with the troops. But much of the respect they gained disappeared when the two tried to take pictures of wounded and dead soldiers being rushed to a field hospital.

Cole, a Pulitzer winner for photographs she took of the war in Liberia, said later she understood the soldiers' high emotions. But she resented the row of soldiers blocking her camera, who in her view prevented her from doing her job.

"They were happy to have us along when we could show them fighting the battle, show the courageous side of them," Cole said. "Then suddenly the tables turned. They didn't want anything shown of their grief and what was happening on the negative side, which is equally important."

It likely never occurred to the fellow platoon members of the wounded soldiers that their actions were "preventing Cole from doing her job" (or, if you prefer, "making a buck").

Of course, there might be other things for a photographer to do while Americans bleed to death. This description of the actions of one in Mosul during last December's chow hall bombing is especially troubling:

Blasted to the ground, Hoffmeyer pulled himself up and into the chaos of the deadliest attack of the war on any U.S. base. A young man bleeding to death beside him would be one of 22 to die that day.

Despite a broken lens, aperture wide open, Hoffmeyer fired off several frames of the mortally wounded soldier.

He continued taking pictures of the blast scene ? images that ran prominently in nearly every American paper in the days to come. But he never transmitted the pictures of the dying GI.

<...>

Hoffmeyer thought the pictures of the soldier ? his hand pressed over a neck wound streaming with blood ? might be too graphic for publication. If the vivid shots had made the paper, they might have infuriated the Virginia National Guard battalion he had covered, and threatened his plan to catalog the unit's postwar lives. Finally, he thought how terrible it would be if he ever had to see pictures of his own son, age 9, in such a position.

"I don't know if what I did was right," the 41-year-old onetime radio disc jockey said. "But it's what I felt was right."

We can only hope there was someone administering first aid to the subject of Hoffmeyer's photos, the story doesn't include that detail. But "his hand pressed over a neck wound streaming with blood" troubles me deeply.

One wonders if amid rapidly falling circulation numbers the editors of some papers aren't looking back with nostalgia to the slight bump in sales that accompanied their publication of photos of contractor corpses in Fallujah in April 2004. The LA Times quickly defended the display of those graphic images at the time of their publication: "While showing the images could erode support for the war, not showing them could have an opposite effect.". And as with this year's version they also provided expert quotes from outside sources:

"These are the kinds of pictures that will linger," said John Schulz, dean of Boston University's College of Communications and a former faculty member at the National War College.

"They'll be there in November when people go to vote."


Posted by Greyhawk at 06:40 PM | Permalink | Comments (31) |