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May 16, 2005

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Rich Man, Poor Man

By Greyhawk

Nothing better illustrates the disparate views of wealthy Americans and suffering Iraqis than the contrast between two of this year's films at Cannes.

A sparse, minimalist Competition entry made by an Iraqi Kurd has generated a giant buzz at the 58th Cannes Film Festival.

Hiner Saleem's Kilometer Zero, a road movie that delivers a wry comment on the tragedy that befell the Kurds of Iraq in the form of a genocide unleashed by Saddam Hussein.

It is being compared to the Paris-based Saleem's previous feature, Vodka Lemon, but the politics of the new film is clearly at variance with the anti-Bush sentiment that prevailed on the Riviera last year, with Michael Moore's hard-hitting documentary, Fahrenheit 9/11 scooping up the Palme d'Or.

CANNES, France ? Without Michael Moore and "Fahrenheit 9/11" at the Cannes Film Festival this time, it was left to George Lucas and "Star Wars" to pique European ire over the state of world relations and the United States' role in it.

Lucas' themes of democracy on the skids and a ruler preaching war to preserve the peace predate "Star Wars: Episode III ? Revenge of the Sith" by almost 30 years. Yet viewers Sunday ? and Lucas himself ? noted similarities between the final chapter of his sci-fi saga and our own troubled times.

For the Kurds of Iraq, the US invasion of the nation represents liberation and that is exactly what the film articulates thought not quite in so many words and so simply.

Given that the jury here is headed by Emir Kusturica, a filmmaker who himself belongs to a war-ravaged part of the world (Sarajevo), it wouldn't be surprising if Saleem's simple yet moving film strikes a chord with nine-member panel.

Star Wars: Episode III ? Revenge of the Sith, the last installment of one of the most successful movie franchises in the annals of Hollywood, was premiered out of the competition on Sunday at the 58th Cannes Film Festival. That was followed by a ceremony aboard a ship anchored in the Bay Cannes to honour the American director with a special Festival Trophy.

Cannes audiences made blunt comparisons between "Revenge of the Sith" ? the story of Anakin Skywalker's fall to the dark side and the rise of an emperor through warmongering ? to President Bush's war on terrorism and the invasion of Iraq.

Two lines from the movie especially resonated:

"This is how liberty dies. With thunderous applause," bemoans Padme Amidala (Natalie Portman) as the galactic Senate cheers dictator-in-waiting Palpatine (Ian McDiarmid) while he announces a crusade against the Jedi.

"If you're not with me, then you're my enemy," Hayden Christensen's Anakin ? soon to become villain Darth Vader ? tells former mentor Obi-Wan Kenobi (Ewan McGregor). The line echoes Bush's international ultimatum after the Sept. 11 attacks, "Either you are with us, or you are with the terrorists."

"That quote is almost a perfect citation of Bush," said Liam Engle, a 23-year-old French-American aspiring filmmaker. "Plus, you've got a politician trying to increase his power to wage a phony war."

Though the plot was written years ago, "the anti-Bush diatribe is clearly there," Engle said.

Kilometer Zero, says Saleem, is not merely a story of a religious or cultural divide. 'It is an appeal for mutual trust and tolerance. I am not a religious leader. I am a lay person who is merely trying to convey a sense of what it means to live under a despotic regime,' he adds.

'All I want is that children in Kurdistan should have the freedom to grow up in their own culture, learn their own language in school, watch their own TV shows and films and listen to their own music. Sadly, Saddam Hussein tried to destroy the Kurds as a people and a nation.'

Lucas said he patterned his story after historical transformations from freedom to fascism, never figuring when he started his prequel trilogy in the late 1990s that current events might parallel his space fantasy.

"As you go through history, I didn't think it was going to get quite this close. So it's just one of those recurring things," Lucas said at a Cannes news conference. "I hope this doesn't come true in our country.

"Maybe the film will waken people to the situation," Lucas joked.

That comment echoes Moore's rhetoric at Cannes last year, when his anti-Bush documentary "Fahrenheit 9/11" won the festival's top honor.

<...>

Lucas began researching how democracies can turn into dictatorships with full consent of the electorate.

In ancient Rome, "why did the senate after killing Caesar turn around and give the government to his nephew?" Lucas said. "Why did France after they got rid of the king and that whole system turn around and give it to Napoleon? It's the same thing with Germany and Hitler.

The main part of Hiner Saleem's Kilometre Zero, premiered in competition for the Palme D'Or at the Cannes film festival, is set in 1988 against the backdrop of the deaths of thousands of Iraqi Kurds at the hands of Saddam's cousin, "Chemical" Ali Hassan al-Majid.

It is framed by scenes of the main characters, now exiled in France, rejoicing at the fall of Baghdad in 2003.

"I am against war of any kind," Saleem said. "But we didn't have the luxury to say, `For the time being, we will be exterminated'.

"If you say that the US is an imperialist country, then you are right. Had Sweden, Liechtenstein, France, come, it would have been wonderful. But they gave the US free rein; I am extremely pleased."

The scene of jubilation in the final moments of the film was "still valid. I would like to say I am optimistic, he said.

"You sort of see these recurring themes where a democracy turns itself into a dictatorship, and it always seems to happen kind of in the same way, with the same kinds of issues, and threats from the outside, needing more control. A democratic body, a senate, not being able to function properly because everybody's squabbling, there's corruption."

Although he received financial support from various agencies, shooting the film in Kurdistan was no cakewalk. 'It was a nightmare carrying all the equipment to the location and then repatriating it,' he says. Filmmaking in Iraq is a struggle.

'We produce in years what France makes in just a day and India churns out in a matter of few hours,' Saleem laments. 'It is difficult finding technicians in Iraq.'

But he is hopeful that selection of his film in the Cannes Film Festival Competition will help it travel to many other parts of the world. The only way for Kilometer Zero to go now, as Saleem points out, is forward.

If anyone ever doubted it, "Star Wars Episode III: Revenge of the Sith" proves that creator George Lucas is a Jedi master of merchandising.

As a moneymaking entertainment franchise, the "Star Wars" saga is a galaxy unto itself. When the sixth and final film, "Revenge of the Sith," opens on Thursday, it will be the capstone of a box office, DVD, video game and toy empire, responsible for nearly $20 billion in estimated revenue.

"One day the problem was, how to find a camera?" he said. "In the whole country, I didn't find one."

Eventually, because Saleem couldn't find any technicians either, he brought a crew from France for filming in Iraq's Kurdish north.

"Sith" breaks commercial ground for the movie series. This film has more promotional partners than any of the previous five films, according to Lucasfilm Ltd., Lucas's production company. And it marks the first time "Star Wars" characters have appeared outside the film environment, or its fictional equivalent, interacting with humans in commercials, the company said.

Then came the problem of finding a statue of Saddam, key to creating the right atmosphere in a movie about 1980s Iraq.

The statue is a strong image, especially because photos of jubilant Iraqis toppling a giant statue of Saddam have become one of the defining symbols of Baghdad's fall to U.S. troops in 2003.

The crew spent two weeks searching for a sculptor willing to make a statue of the ousted dictator. One finally accepted and went to work in a walled garden, but then a security agent glimpsed the top of the towering statue over the wall.

The statue was confiscated, and the sculptor was thrown in jail. Saleem said he had some explaining to do before the sculptor was released.

In a Cingular Wireless ad, Chewbacca the Wookiee is seen growling into a microphone in a recording studio, laying down ring tones for the company's cell phones, as Darth Vader and other characters impatiently wait their turns. In a Diet Pepsi commercial, Yoda sits at a lunch counter.

"It is not an ideological film. It doesn't say we are the most wonderful people on earth ... but I am thrilled people will be able to discover, to drive through Kurdistan for an hour and a half in this film."

Sami Shorashi, the Kurdistan regional government's culture minister, said: "This is a major step forward for the Kurdish people ... I see it as a work of art that well portrays the misfortune of the Kurdish people caused by the regime of Saddam Hussein."

Lucas, in fact, promises to get back to making the kind of films that his enormous success has prevented him from doing all these years. ?I will now make my sort of films. I am sure they would get released in theatres somewhere or the other,? he adds.

He is particularly pleased with the fact that feature-length documentaries have broken into the mainstream in the US and other parts of the world. ?There is no reason why the kind of films I now have in mind will not be accepted,? he strikes a hopeful note.

I wonder if the two men met?


Posted by Greyhawk / May 16, 2005 10:04 AM | Permalink

3 Comments

I will now make my sort of films. I am sure they would get released in theatres somewhere or the other

You mean, he's gonna perpetrate more films like "One From The Heart".

Interesting that in the early years Lukas felt the oppression of the control by the suits within the industry. Luke's story was his in the beginning, to take down the establishment, to liberate. However, in the long years since as he has assembled his fortune and his own power, he has followed the path of Anakin more than Luke and has become that which he originally fought against. The Freudian projection of the Europeans is that it is they who are surrendering their liberty for stability at any cost.

Dilletantes who "study" history, are condemned to misinterpret it!

The promixmate cause leading to most tyrannies is social upheaval. To expand Lucas' "analysis" a bit....Revolutionary France, Weimar Germany and Czarist Russia shared 3 common elements.

1. Military defeat
2. A government that lost popular support (see 1 above)
3. Economic turmoil

Even socialist Upton Sinclair was wise enough to realize that it took the Great Depression to make "IT" happening here a possibility.

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November 26, 2010


America@war
[Greyhawk]
I think anyone who's ever pondered the "comment" option - once only available on blogs and bulletin boards, now ubiquitous on almost any web site - will appreciate this:
The so-called faculty of writing is not so much a faculty of writing as it is a faculty of thinking. When a man says, "I have an idea but I can't express it"; that man hasn't an idea but merely a vague feeling. If a man has a feeling of that kind, and will sit down for a half an hour and persistently try to put into writing what he feels, the probabilities are at least 90 percent that he will either be able to record it, or else realize that he has no idea at all. In either case, he will do himself a benefit.

That's wisdom from the past, captured for posterity at the US Naval Institute, shared via the web on the institute's 137th anniversary.

From their about page:

The Naval Institute shall remain

INDEPENDENT - A non-profit member association, with no government support, that does not lobby for special interests;

NON-PARTISAN - An independent, professional military association with a mission, goals and objectives that transcend political affiliations; and shall encourage

IDEAS - Through its respected journals Proceedings and Naval History, its conferences, its books and its online content, in support of those who serve.

"The Naval Institute has three core activities," among them, History and Preservation:

The Naval Institute also has recently introduced Americans at War, a living history of Americans at war in their own words and from their own experiences. These 90-second vignettes convey powerful stories of inspiration, pride, and patriotism.

Take a look at the collection, and you'll see it's not limited to accounts from those who served on ships at sea, members of the other branches are well-represented.

I'm fortunate to have met USNI's Mary Ripley, she's responsible for the institute's oral history program (and she's the daughter of the late John Ripley, whose story is told here). She also deserves much credit for their blog. ("We're not the Navy nor any government agency. Blog and comment freely.") We met at a milblog conference - Mary knew (and I would come to realize) that milbloggers are the 21st-century version of exactly what the US Naval Institute is all about. Once that light bulb came on in my head, I mentioned a vague idea for a project to her - milblogs as the 21st century oral history that they are.

"Put that in writing," she said (of course - see first paragraph above!) - and here's part of the result.

Shortly after the first tent was pitched by the American military in Iraq a wire was connected to a computer therein, and the internet was available to a generation of Americans at war - many of whom had grown up online. From that point on, at any given moment, somewhere in Iraq a Soldier, Sailor, Airman or Marine was at a keyboard sharing the events of his or her day with the folks back home. While most would simply fire off an email, others took advantage of the (then) relatively new online blogging platforms to post their thoughts and experiences for the entire world to see. The milblog was born - and from that moment to this stories detailing everything from the most mundane aspects of camp life to intense combat action (often described within hours of the event) have been available on the web...

And et cetera - but since you're reading this on a milblog, you probably knew that. And you know that milblogs aren't just blogs written by troops at war, that many friends, family members, and supporters likewise documented their story of America at war online in near-real time, as those stories developed.

The diversity in membership of that group is broad, the one thing we all have in common is the impulse to make sense of the seemingly senseless, and communicate the tale - for each of us that impulse was strong enough to overcome whatever barriers prevent the vast majority of people from doing the same. Everyone at some point has some vague idea they believe should be shared - we were the people who, from some combination of internal and external urging, found and spent those many half hours persistently trying to write it down.

*****

But where will all that be in another 137 years? Or five or ten, for that matter. That's something I've asked myself since at least 2004 - when I wrote this:

Closing Blogs is nothing new. So many site's owners just give up on their own. They come and go, you know, these MilBloggers do. Like any other sort of blogger. Many post in the lonely down hours far from home, spill their guts for the world, then abandon their spots when the tour of duty is up. They have lives again somewhere in the world, and no need to share the details. So it goes.

Many are truly gone - no site left at all. "The page cannot be found." Other blogs remain, like abandoned defensive positions in shifting desert sands.

Membership in the ghost battalion has grown in the years since, and an ever growing majority of those abandoned-but-still-standing sites are vanishing. Have you checked out Lt Smash's site lately? How about Sgt Hook's? If you're a long-time milblog reader you know the first widely-read milblog from Operation Iraq Freedom and the first widely-read milblog from Afghanistan are both gone from the web. If you're a relative newcomer to this world you may never even have heard of them - or the dozens upon dozens of others who carried forth the standard they set down.

If you have a vague notion that something should be done about that, (a notion I've heard expressed more than once...) then you and I and the good folks at the US Naval Institute are in agreement. Preserving the history documented by the milbloggers is just one of the goals of the milblog project, the once-vague idea that we're now making real.

And it's a big idea, if I say so myself - too big to explain in one simple blog post, so stand by for more. Likewise, it's too big a task to be accomplished by just one person. So if you're a milblogger (and exactly what is a milblogger? is a topic for much further discussion on its own) I'm asking for your help. All I'll really need is just a little bit (maybe just one or two of those half hours...) of your time, and your willingness to tell the tale.

We've already made history, it's time to save it.

(More to follow...)




Posted 4:02 PM | Permalink | Comments (0) |

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The Mudville Gazette is the on-line voice of an American warrior and his wife who stands by him. They prefer to see peaceful change render force of arms unnecessary. Until that day they stand fast with those who struggle for freedom, strike for reason, and pray for a better tomorrow.
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  • Steve: Dilletantes who "study" history, are condemned to misinterpret it! The read more
  • Don: Interesting that in the early years Lukas felt the oppression read more
  • The Sanity Inspector: I will now make my sort of films. I am read more

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The Mudville Gazette is written and produced by Greyhawk, who recently retired from 24 years of active duty in the US military, but will maintain this disclaimer: Unless otherwise credited, the opinions expressed are those of the author, and nothing here is to be taken as representing the official position of or endorsement by the United States Department of Defense or any of its subordinate components.

Furthermore, I will occasionally use satire or parody herein. The bottom line: it's my house.

I like having visitors to my house. I hope you are entertained. I fight for your right to free speech, and am thrilled when you exercise said rights here. Comments and e-mails are welcome, but all such communication is to be assumed to be 1)the original work of any who initiate said communication and 2)the property of the Mudville Gazette, with free use granted thereto for publication in electronic or written form. If you do NOT wish to have your message posted, write "CONFIDENTIAL" in the subject line of your email.

Original content copyright © 2003 - 2011 by Greyhawk. Fair, not-for-profit use of said material by others is encouraged, as long as acknowledgement and credit is given, to include the url of the original source post. Other arrangements can be made as needed.

Contact: greyhawk at mudvillegazette dot com

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*****

Tending Distant
Fires


Far from hearth and home, watching
Cold alone but not alone
On distant shore and only wanting
Safe return and little more

What tales we'll tell
When that time comes
When tales can be told

When things grim
Seem far away
When other fires go cold

Some distant sunset, vision fading
Memories remain
And tired eyes gaze 'pon folded flags
While distant drums beat their refrain

Saluting fallen friends whose names
And youth will never fade
Here's to those on other shores,
for them live well, the price is paid

- Greyhawk,
Baghdad,
December 2004