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April 11, 2005

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Singing a Different Tune?

By Greyhawk

Santiago Lyon, Director of Photography for the Associated Press, tells the "story behind the photos" of the murder of election workers in a Baghdad street.

The photos made front pages around the world and one of them was part of the package of AP's coverage of Iraq that won the 2005 Pulitzer Prize for breaking news photography.

How did the photographer come to be in one of the most dangerous parts of one of the most dangerous streets in Baghdad at this particular time? He had been tipped by another journalist that "something happened on Haifa Street." Immediately he headed out the door for a car trip to Haifa Street. He found a burning car and photographed it about 300 meters from what would later turn out to be the execution scene.

The photographer then walked toward the intersection where the executions would later take place to photograph the wreck of another recently burned car that he spotted nearby. Soon, he noticed about 20 people arriving and directing traffic away from the intersection, looking unofficial and "very unusual." Anticipating a problem, the car that had brought him there was put near a bridge for a quick getaway, if necessary. He left his photo equipment in the car and walked up to one of the people directing traffic to inquire about what they were doing. He was told "none of your business." He walked back to the car. That's when he heard an explosion. The concussion was powerful enough to break glass in the car.

The photographer turned and saw the group holding two people at gunpoint on the street. One of the attackers was armed with an AK-47 rifle and another with a handgun. The photographer grabbed a camera with a 400mm telephoto lens and photographed the next events from beside the car. The gunmen shot two men in succession. The second shooting was obscured by passing traffic, with many passing cars now fleeing the area. The photographer got back in the car, which inadvertently went down a circular street that just went under the foot of the bridge and returned to the same intersection. He took the occasion to shoot several more photos from the car. Then he left the scene for good.

A reasonable explanation - but one that begs the question why now, and why not when the photos were first released? At that time the only explanations given were from an unnamed AP source quoted in Salon and an email to another web site. From Salon: "The photographer, whose identity the AP is withholding due to safety concerns, was likely "tipped off to a demonstration that was supposed to take place on Haifa Street," said the AP source, who was not at liberty to comment by name". If not as complete that's at least consistent with the current version, but note the followup email from Jack Stokes, AP's director of media relations, to Jim Romenesko at Poynter Online: "Insurgents want their stories told as much as other people and some are willing to let Iraqi photographers take their pictures. It's important to note, though, that the photographers are not "embedded" with the insurgents. They do not have to swear allegiance or otherwise join up philosophically with them just to take their pictures."

Given the reasonable explanation AP now presents one wonders why the earlier comments, which certainly indicate a much cozier relationship between the photographer and the murderers, were ever released. Of course, AP owes no explanation of it's practices to anyone anywhere, but why not tell as much of the truth as possible from the start?

Update: Wretchard has more. And Powerline comments here and here.
Not everyone thinks the current AP version is reasonable.

The NY Times notes the story here

More Others think it is reasonable, and note multiple possibilities.


Posted by Greyhawk / April 11, 2005 10:33 AM | Permalink

1 Comment

fyi, i just posted the full sequence of photos here. Judge for yourself!

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November 26, 2010


America@war
[Greyhawk]
I think anyone who's ever pondered the "comment" option - once only available on blogs and bulletin boards, now ubiquitous on almost any web site - will appreciate this:
The so-called faculty of writing is not so much a faculty of writing as it is a faculty of thinking. When a man says, "I have an idea but I can't express it"; that man hasn't an idea but merely a vague feeling. If a man has a feeling of that kind, and will sit down for a half an hour and persistently try to put into writing what he feels, the probabilities are at least 90 percent that he will either be able to record it, or else realize that he has no idea at all. In either case, he will do himself a benefit.

That's wisdom from the past, captured for posterity at the US Naval Institute, shared via the web on the institute's 137th anniversary.

From their about page:

The Naval Institute shall remain

INDEPENDENT - A non-profit member association, with no government support, that does not lobby for special interests;

NON-PARTISAN - An independent, professional military association with a mission, goals and objectives that transcend political affiliations; and shall encourage

IDEAS - Through its respected journals Proceedings and Naval History, its conferences, its books and its online content, in support of those who serve.

"The Naval Institute has three core activities," among them, History and Preservation:

The Naval Institute also has recently introduced Americans at War, a living history of Americans at war in their own words and from their own experiences. These 90-second vignettes convey powerful stories of inspiration, pride, and patriotism.

Take a look at the collection, and you'll see it's not limited to accounts from those who served on ships at sea, members of the other branches are well-represented.

I'm fortunate to have met USNI's Mary Ripley, she's responsible for the institute's oral history program (and she's the daughter of the late John Ripley, whose story is told here). She also deserves much credit for their blog. ("We're not the Navy nor any government agency. Blog and comment freely.") We met at a milblog conference - Mary knew (and I would come to realize) that milbloggers are the 21st-century version of exactly what the US Naval Institute is all about. Once that light bulb came on in my head, I mentioned a vague idea for a project to her - milblogs as the 21st century oral history that they are.

"Put that in writing," she said (of course - see first paragraph above!) - and here's part of the result.

Shortly after the first tent was pitched by the American military in Iraq a wire was connected to a computer therein, and the internet was available to a generation of Americans at war - many of whom had grown up online. From that point on, at any given moment, somewhere in Iraq a Soldier, Sailor, Airman or Marine was at a keyboard sharing the events of his or her day with the folks back home. While most would simply fire off an email, others took advantage of the (then) relatively new online blogging platforms to post their thoughts and experiences for the entire world to see. The milblog was born - and from that moment to this stories detailing everything from the most mundane aspects of camp life to intense combat action (often described within hours of the event) have been available on the web...

And et cetera - but since you're reading this on a milblog, you probably knew that. And you know that milblogs aren't just blogs written by troops at war, that many friends, family members, and supporters likewise documented their story of America at war online in near-real time, as those stories developed.

The diversity in membership of that group is broad, the one thing we all have in common is the impulse to make sense of the seemingly senseless, and communicate the tale - for each of us that impulse was strong enough to overcome whatever barriers prevent the vast majority of people from doing the same. Everyone at some point has some vague idea they believe should be shared - we were the people who, from some combination of internal and external urging, found and spent those many half hours persistently trying to write it down.

*****

But where will all that be in another 137 years? Or five or ten, for that matter. That's something I've asked myself since at least 2004 - when I wrote this:

Closing Blogs is nothing new. So many site's owners just give up on their own. They come and go, you know, these MilBloggers do. Like any other sort of blogger. Many post in the lonely down hours far from home, spill their guts for the world, then abandon their spots when the tour of duty is up. They have lives again somewhere in the world, and no need to share the details. So it goes.

Many are truly gone - no site left at all. "The page cannot be found." Other blogs remain, like abandoned defensive positions in shifting desert sands.

Membership in the ghost battalion has grown in the years since, and an ever growing majority of those abandoned-but-still-standing sites are vanishing. Have you checked out Lt Smash's site lately? How about Sgt Hook's? If you're a long-time milblog reader you know the first widely-read milblog from Operation Iraq Freedom and the first widely-read milblog from Afghanistan are both gone from the web. If you're a relative newcomer to this world you may never even have heard of them - or the dozens upon dozens of others who carried forth the standard they set down.

If you have a vague notion that something should be done about that, (a notion I've heard expressed more than once...) then you and I and the good folks at the US Naval Institute are in agreement. Preserving the history documented by the milbloggers is just one of the goals of the milblog project, the once-vague idea that we're now making real.

And it's a big idea, if I say so myself - too big to explain in one simple blog post, so stand by for more. Likewise, it's too big a task to be accomplished by just one person. So if you're a milblogger (and exactly what is a milblogger? is a topic for much further discussion on its own) I'm asking for your help. All I'll really need is just a little bit (maybe just one or two of those half hours...) of your time, and your willingness to tell the tale.

We've already made history, it's time to save it.

(More to follow...)




Posted 4:02 PM | Permalink | Comments (0) |

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The Mudville Gazette is the on-line voice of an American warrior and his wife who stands by him. They prefer to see peaceful change render force of arms unnecessary. Until that day they stand fast with those who struggle for freedom, strike for reason, and pray for a better tomorrow.
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The Mudville Gazette is written and produced by Greyhawk, who recently retired from 24 years of active duty in the US military, but will maintain this disclaimer: Unless otherwise credited, the opinions expressed are those of the author, and nothing here is to be taken as representing the official position of or endorsement by the United States Department of Defense or any of its subordinate components.

Furthermore, I will occasionally use satire or parody herein. The bottom line: it's my house.

I like having visitors to my house. I hope you are entertained. I fight for your right to free speech, and am thrilled when you exercise said rights here. Comments and e-mails are welcome, but all such communication is to be assumed to be 1)the original work of any who initiate said communication and 2)the property of the Mudville Gazette, with free use granted thereto for publication in electronic or written form. If you do NOT wish to have your message posted, write "CONFIDENTIAL" in the subject line of your email.

Original content copyright © 2003 - 2011 by Greyhawk. Fair, not-for-profit use of said material by others is encouraged, as long as acknowledgement and credit is given, to include the url of the original source post. Other arrangements can be made as needed.

Contact: greyhawk at mudvillegazette dot com

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*****

Tending Distant
Fires


Far from hearth and home, watching
Cold alone but not alone
On distant shore and only wanting
Safe return and little more

What tales we'll tell
When that time comes
When tales can be told

When things grim
Seem far away
When other fires go cold

Some distant sunset, vision fading
Memories remain
And tired eyes gaze 'pon folded flags
While distant drums beat their refrain

Saluting fallen friends whose names
And youth will never fade
Here's to those on other shores,
for them live well, the price is paid

- Greyhawk,
Baghdad,
December 2004